In the summer of 1920 the Berlin Dadaists filled the rooms of Otto Burchard's gallery on Lützowufer with collages, posters and slogans. It was loud, angry and very funny — a direct reaction to war and to the new Weimar Republic.
Photomontage, the method Berlin Dada pushed further than anyone, came out of this circle. Hannah Höch's work from these years is in the Berlinische Galerie's collection today.